Reblog
VINCE CONTARINO “Untitled (6)” print “My work is concerned with exploring the possibilities of abstraction through drawing, collage, and painting. An important part of my studio practice involves searching for thrown away or discarded marks and pairing them with more deliberately constructed forms. While there is room for chance and discovery, I strive to operate in a middle ground that is neither restrictive or self indulgent, continually editing down the paintings to their most important elements.” ____________________________________ LIMITED EDITION (#18 prints) archival ink print on BFK Rives 8” x 10” (unframed) 11” x 14” (framed)

VINCE CONTARINO
“Untitled (6)” print

“My work is concerned with exploring the possibilities of abstraction through drawing, collage, and painting. An important part of my studio practice involves searching for thrown away or discarded marks and pairing them with more deliberately constructed forms. While there is room for chance and discovery, I strive to operate in a middle ground that is neither restrictive or self indulgent, continually editing down the paintings to their most important elements.”
____________________________________



LIMITED EDITION (#18 prints)
archival ink print on BFK Rives
8” x 10” (unframed)
11” x 14” (framed)



Mon, 19th Dec — 0 notes
Reblog
LISA IGLESIAS “Protectorate”(print) “Rather than working in a linear path, the projects I make are based on constellations of association. Whether papier-mâché rifle, pencil drawing, or hand-made celebration banner, threads of renewal, re-historicization and futility weave throughout.  ____________________________________ EDITION OF 20 (original drawing: graphite on paper) 11x10” (unframed) 12x12” (framed)

LISA IGLESIAS 
“Protectorate”(print)

“Rather than working in a linear path, the projects I make are based on constellations of association. Whether papier-mâché rifle, pencil drawing, or hand-made celebration banner, threads of renewal, re-historicization and futility weave throughout. 


____________________________________

EDITION OF 20 
(original drawing: graphite on paper) 
11x10” (unframed) 
12x12” (framed)

Thu, 8th Dec — 0 notes
Reblog
LEARN MORE+ BUYCOLLECT  GABRIELA ALVA C.“Anti-trespassing configurations”“When an object that does not belong is inserted into an every day scene, the ordinary elements warrant a closer look. I photograph compositions which evoke the strangeness latent in reality. I like to explore these instances, and come back to different landscapes. I am often drawn to those in Mexico, where the soda bottles that cover the rebar of fragmented homes, evidence for the hope of building a second floor. The dividing edges filled with crushed bottles, resonate with the alternatives used to reach safety, a beautiful but threatening sight.”  ____________________________________   EDITION OF 20 Collage, photograph print with acid free ink on BFK Rives.  8x10” (unframed) 11x14” (framed)

LEARN MORE
+ BUY
COLLECT 

GABRIELA ALVA C.
“Anti-trespassing configurations”

“When an object that does not belong is inserted into an every day scene, the ordinary elements warrant a closer look. I photograph compositions which evoke the strangeness latent in reality. I like to explore these instances, and come back to different landscapes. I am often drawn to those in Mexico, where the soda bottles that cover the rebar of fragmented homes, evidence for the hope of building a second floor. The dividing edges filled with crushed bottles, resonate with the alternatives used to reach safety, a beautiful but threatening sight.”

 

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EDITION OF 20 
Collage, photograph print with acid free ink on BFK Rives. 

8x10” (unframed) 
11x14” (framed)



Wed, 7th Dec — 0 notes
Reblog
FANNY ALLIÉ“numbness and tingling” - print “In my mixed media, sculpture and installation work, the recurrent subject matter has been the body, especially fragmented body parts, acting as receptacles for storytelling. I am using the memory of observed and experienced events especially those from my childhood and from the news, for creating installations.Besides, I explore the notion of trace that indicates the existence of others and my own. Trace also shows the passing of time. Many of my projects suggest the course of time as they examine memories, past actions or incidents, and events that happened at a specific and recorded time.In my practice, I have a strong interest in the handmade process. I have used several materials such as clay, papier-mâché (I make my own paste using flour, salt and water), fabric, wood, paper, plaster and chicken wire among others. In addition, I am also often drawn to natural materials, available in the every day life.”  ____________________________________ LIMITED EDITION (#18 prints) archival ink print 8”x12” (unframed) 11”x14” (framed)

FANNY ALLIÉ
“numbness and tingling” - print


“In my mixed media, sculpture and installation work, the recurrent subject matter has been the body, especially fragmented body parts, acting as receptacles for storytelling. 

I am using the memory of observed and experienced events especially those from my childhood and from the news, for creating installations.

Besides, I explore the notion of trace that indicates the existence of others and my own. Trace also shows the passing of time. Many of my projects suggest the course of time as they examine memories, past actions or incidents, and events that happened at a specific and recorded time.

In my practice, I have a strong interest in the handmade process. I have used several materials such as clay, papier-mâché (I make my own paste using flour, salt and water), fabric, wood, paper, plaster and chicken wire among others. In addition, I am also often drawn to natural materials, available in the every day life.” 

____________________________________

LIMITED EDITION (#18 prints) 
archival ink print 
8”x12” (unframed) 
11”x14” (framed)


Wed, 7th Dec — 0 notes