Reblog
JULIEN GARDAIR ABCKL IS ABEFILTUU - drawing #10 “In this world, hands could be teeth, could be eyes, could be hair, could be mouth…  Forms grow free in drawings, live their transformations in animations and invent absurd subjects in paintings. All is moving back and forth, from the studio to the street and experience to imagination. A space in between where each viewer is welcome to make his own interpretation.”  __________________________________________ black spray paint on paper 18”x24” / ea 2011 *this is a series of 20 drawings, for this edition of Eyelevel Focus VIII we selected two drawings, however, you can view the full series if you set an appointment with us to eyelevelbqe@gmail.com

JULIEN GARDAIR 
ABCKL IS ABEFILTUU - drawing #10

“In this world, hands could be teeth, could be eyes, could be hair, could be mouth…  Forms grow free in drawings, live their transformations in animations and invent absurd subjects in paintings. All is moving back and forth, from the studio to the street and experience to imagination. A space in between where each viewer is welcome to make his own interpretation.” 

__________________________________________

black spray paint on paper 
18”x24” / ea 
2011

*this is a series of 20 drawings, for this edition of Eyelevel Focus VIII we selected two drawings, however, you can view the full series if you set an appointment with us to eyelevelbqe@gmail.com



Wed, 7th Dec — 1 note
Reblog
LISA IGLESIAS“Pattern”“Rather than working in a linear path, the projects I make are based on constellations of association. Whether papier-mâché rifle, pencil drawing, or hand-made celebration banner, threads of renewal, re-historicization and futility weave throughout.” » ____________________________________ EDITION OF 20 (original drawing: graphite on paper) 8x10” (unframed) 11x14” (framed)

LISA IGLESIAS
“Pattern”

“Rather than working in a linear path, the projects I make are based on constellations of association. Whether papier-mâché rifle, pencil drawing, or hand-made celebration banner, threads of renewal, re-historicization and futility weave throughout.” »

____________________________________

EDITION OF 20 
(original drawing: graphite on paper) 
8x10” (unframed) 
11x14” (framed)



Wed, 7th Dec — 4 notes
Reblog
IAN VANEKBreadbowl Without a Paw  The title is a play on “Rebel Without A Cause” by James Dean and “Rebel Without A Pause” by Public Enemy. In this case an interest edible structures and three legged cats lead us to this perfect title.” 

IAN VANEK
Breadbowl Without a Paw 

The title is a play on “Rebel Without A Cause” by James Dean and “Rebel Without A Pause” by Public Enemy. In this case an interest edible structures and three legged cats lead us to this perfect title.”

 


Wed, 7th Dec — 0 notes
Reblog
JEREMIAH MANDEL“Celebration is a funeral for old ideas. The ones you come back to over and over until they are fleshed out, or not. This book turns those images to stone, solidifying them in whatever state they were found. A proper burial…” 

JEREMIAH MANDEL
“Celebration is a funeral for old ideas. The ones you come back to over and over until they are fleshed out, or not. This book turns those images to stone, solidifying them in whatever state they were found. A proper burial…” 

Wed, 7th Dec — 2 notes
Reblog
ANDREW C. ROBINSONRiot Labels “This print is part of a larger project titled “Bloodlines”. These hand printed silk screens were run in a small edition and some were used as labels for bottles and vessels used to adorn art objects in a sculptural installation and a series of photographs. “The labels and text were rendered in a loose gestural form in the spirit of the hands of artists such as  Dubuffet and the content inspired by the graffiti of the Paris protests in May 1968.”  

ANDREW C. ROBINSON
Riot Labels

“This print is part of a larger project titled “Bloodlines”. These hand printed silk screens were run in a small edition and some were used as labels for bottles and vessels used to adorn art objects in a sculptural installation and a series of photographs.

“The labels and text were rendered in a loose gestural form in the spirit of the hands of artists such as  Dubuffet and the content inspired by the graffiti of the Paris protests in May 1968.”


 



Wed, 7th Dec — 5 notes
Reblog
NATALIA PORTER “Denture” Denture Digital drawing cut out archival ink Dim 4 1/2” X 3” (unframed) 8” X 10 ” (framed)”“My training is in the visual arts and industrial design. These disciplines purposefully inform my work. The sculptures, installations and drawings, along with the functional objects and places that I have created all come about through an exploration of ideas that include a balanced experimentation between technological processes and traditional craft. With this in mind, it is important to recognize that I work in response to my surroundings, by interacting with the people, places and objects I come across that I alter in order to assign them expanded meanings and/or additional readings. I create objects and experiences that hopefully lead to critical thought, suggest new ways to perceive reality, and help reduce the boundaries that exist between art and design.” 

NATALIA PORTER 
“Denture” 
Denture 
Digital drawing cut out 
archival ink 
Dim 4 1/2” X 3” (unframed) 
8” X 10 ” (framed)

”“My training is in the visual arts and industrial design. These disciplines purposefully inform my work. The sculptures, installations and drawings, along with the functional objects and places that I have created all come about through an exploration of ideas that include a balanced experimentation between technological processes and traditional craft. With this in mind, it is important to recognize that I work in response to my surroundings, by interacting with the people, places and objects I come across that I alter in order to assign them expanded meanings and/or additional readings. I create objects and experiences that hopefully lead to critical thought, suggest new ways to perceive reality, and help reduce the boundaries that exist between art and design.”
 


Wed, 7th Dec — 12 notes